Joanna Taylor
Jan 08, 2021
Twitter
Comedian Munya Chawawa has divided opinion with a sketch parodying the US Capitol riot.
Some people have called his imagined conversation between a rioter and a police officer “hilarious” and “accurate”, while others see his depiction of Trump supporters as “backwards rednecks” as counter-productive.
In the minute-long video, Chawawa portrays a rioter with a Southern drawl repeatedly misunderstanding what a police officer is saying to him.
He is depicted with a blue cap, gap tooth and Eminem t-shirt and stands in front of a photo of a crowd of other (real) Trump supporters.
One Twitter user commented:
“One of the most destructive things folks can do is paint Trump voters as backwards rednecks who are uneducated.”
Another person then went on to add:
“They aren’t uneducated rednecks. They’re police officers. They’re doctors. They’re law-makers. This harmful rhetoric of the “uneducated 2 per cent” is the same logic that had Democrats complacent enough to lose the 2016 election.”
Basically America right now 🇺🇸🤦♂️ #USA #whiteprivilege https://t.co/1YvfNynZZv— Munya Chawawa (@Munya Chawawa) 1610041276
Depicting Trump supporters, and particularly his most loyal and vocal fans who attend rallies and wear MAGA caps, as ridiculous and laughable has been a subject of contention throughout Trump’s presidency.
The Republican St Louis ‘gun couple’ who pointed their weapons at Black Lives Matter protesters, for instance, became a viral meme – but genuinely had the potential to cause serious harm.
The same has happened to some of the rioters who stormed the Capitol, who wore animal horns and face paint or gleefully stole a podium, despite their involvement in a bloody riot that resulted in five deaths.
Does parodying white supremacists make them appear less threatening? Does drawing on stereotypes to depict Trump supporters only alienate them further?
Or is ridicule effective (and sometimes deserved) opposition to some of their most insidious beliefs and practices?
These are questions that comedians and commentators beyond Chawawa will grapple with in the wake of the Capitol riots.
Besides, much of Chawawa’s sketch is dedicated to ridiculing the the police response to the riots, which has been widely condemned as inadequate.
He also highlights the double standard between their treatment of Black protesters and white rioters.
Racism is a theme throughout Chawawa’s sketches which usually parody people and events in Britain.
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